Podcast production

A podcast you'll still bepublishing in six months.

Format, recording, editing and distribution for company podcasts — set up so publishing an episode costs somebody an afternoon instead of becoming a project nobody volunteers for.

Talk about your show

Including the honest conversation about whether a podcast is the right thing for you at all.

Trusted since 2021

90+ organizations across Honduras — global ad agencies, banks, nonprofits, UN programmes and government institutions among them.

BBDOHavas HondurasTBWADaviviendaKielsaPNUDUNICEFFundación Ayuda en AcciónBolsa Centroamericana de ValoresMunicipalidad de Siguatepeque

Why this one survives past episode three

Most company podcasts don't die from a bad idea — they die because publishing became somebody's weekend. We take that part off your desk.

It sounds like a studio, not a video call

Each speaker on their own track, levelled so it holds up in a car with the windows down and mastered to the loudness the platforms expect. Listeners never write in about audio — they just quietly stop listening.

Audio and voice is the oldest thing we do

Voice, sound design and post are core studio work here, not something bolted on. We've produced voice talent and narration work long before anyone called it podcasting.

Publishing costs you an afternoon

We edit, publish, transcribe and clip on a schedule you approve. Nothing about the weekly cycle depends on someone in your team learning an audio editor or remembering to upload.

A format built to be sustainable

We work out what the show actually is, who it's for and a cadence you can hold for a year — before anyone buys a microphone. Fortnightly and alive beats weekly and abandoned.

What we handle

Format & launch

Working out what the show actually is, who it's for and how long it runs — before anybody buys a microphone they didn't need.

Recording, in person or remote

Each speaker captured on their own track, in studio or remotely, so the edit can fix what the room couldn't.

Edit, mix & master

Cut for pace, levelled so it holds up in a car with the windows down, and mastered to the loudness the platforms expect.

Clips, transcripts & distribution

Every episode published across platforms with show notes, a transcript for search, and vertical clips cut for social.

Free download

The company podcast starter kit

The format worksheet and per-episode checklist we use to launch a show — plus a gear list with what's worth buying and what genuinely isn't.

  • Format worksheet: audience, length, cadence, and who hosts
  • The per-episode checklist, from booking to publishing
  • A gear list at three budgets — and what to skip at each

We'll only use this to follow up once about this guide. No list, no sequence.

How we launch a show

01

Format

Decide what it is and who it's for. A show with a clear reason to exist survives a busy month; one without it doesn't.

02

Record

Batch two or three episodes in a session. Recording in batches is the single biggest reason a feed stays alive.

03

Publish

We edit, publish, transcribe and clip. You approve. Nothing about the weekly cycle depends on someone learning an audio editor.

Before you ask

We don't have a studio. Is that a problem?

No. We record on location or remotely with per-speaker tracks, which matters far more than the room does. A quiet meeting room is usually enough.

How often should we publish?

Whatever you can genuinely sustain for a year. Fortnightly and consistent beats weekly and abandoned, every single time.

Can you edit episodes we record ourselves?

Yes, and it's the cheapest way to start. Send the raw tracks and we'll handle everything from the edit onward.

Do you do video podcasts?

Yes. Multi-camera or single, cut for YouTube with vertical clips for social — though we'll usually suggest getting the audio right first.

Tell us about the show.

Even if it's still just an idea — that's the cheapest point to get the format right.

No newsletter, no sales sequence. One human reply.